Media artist, Embodiment
Adiba Muzaffar is a media artist pursuing an MFA at Emily Carr University of Art and Design (Vancouver, British Columbia). Her practice has maintained close connections to the body as a site for the human psychological condition. Through non-fictional video narratives led by personal accounts and experiments with visual imagery, she has persevered to yank at the invisibility of stigma through several moving image works. Muzaffar’s recent work for the gallery space has taken shape via material explorations and visual tactility, challenging the surface limit of the bodily experience. While themes such as discomfort and control have been present in some way or the other in most of her work, she has furthered her enquiry to deride festered shame, guilt and unfreedom through the lens of human skin.
Angela Marie MacDougall
As Executive Director of Battered Women’s Support Services, since 2003, Angela oversees a matrix of services and dynamic team that support thousands of women in Metro Vancouver each year. In addition, Angela oversees two social enterprises of Battered Women’s Support Services, Strategic Interventions and My Sister’s Closet, eco-thrift boutique. She has been strategic and proactive applying new media and related communications for social change which has raised the profile of BWSS as an organization.
Born and raised in Vancouver, unceded Coast Salish Territories, Angela began her work as an as an advocate, activist, and front-line worker in 1992. Angela has brought tangible transformation to service and program delivery as well as community development and partnerships in her, almost 30 years of activism. Angela’s impact includes development of empowerment and advocacy-based service delivery models grounded in strong theoretical frameworks and intersectionality that connect feminism, substance use, mental health, violence and women’s leadership.
In recognition of this important work, Angela was named a Remarkable Woman by the City of Vancouver in 2014 and in 2016 Vancouver Magazine named her one of Vancouver’s most powerful people.
Dr. Cameron Cartiere is an Associate Professor at Emily Carr University of Art + Design. She is an artist, researcher and writer specializing in public art, urban renewal, and environmental issues. Currently, Cartiere is collaborating with municipal governments, artists, writers, ecologists and scientists to convert neglected greenways into pollinator pastures using public art as the driving force for environmental renewal. Published works include: RE/Placing Public Art, The Manifesto of Possibilities: Commissioning Public Art in the Urban Environment, The Practice of Public Art, and The Everyday Practice of Public Art: Art, Space, and Social Inclusion. Cartiere is co Editor-in-Chief of the international journal Public Art Dialogue. She is also the co-founder of Border Free Bees.
Music technology, Design
Haig Armen is a Professor and Designer living in Vancouver, Canada. For the last 6 years Haig has lead the Interaction Design Major at Emily Carr University of Art + Design. His research explores the intersection of design and programming, focusing on data visualization, gestural interfaces and music technology. His most recent efforts are in design-led entrepreneurship and creating new musical instruments using emerging technologies. Haig's background is in music and architecture with an extensive career as a professional musician and composer. Over the past two decades Haig has designed interactive work for prestigious clients like CBC, BMW, Chanel & Nokia. As a producer of CBC Radio 3′s groundbreaking online magazine during 2001-2005, Haig has received international design awards including Webby Awards, Prix Italia and Art Director’s Club of New York. When Haig's not teaching or hanging out with his family he can be found playing jazz guitar, hacking instruments and coding.
Makeup, Feminist-based art
Marie-Pascale Lafrenière is a multidisciplinary feminist artist from Gatineau, Quebec. Her work addresses the relations between female representation and mental health. In her performances, photographs and installations, she explores the ways in which pop culture and social media are redefining the female gender. She also draws inspiration from her own experiences with mental illness. The artist has been the recipient of the Scholarship of Visual Arts Excellence (ÉMI & Axenéo7, 2016) and the winner of the Black & White Photography Contest (STO, 2013). In the past year, she engaged in the Vancouver art community by participating to the Alive Workshops of Live Performance Festival 2017, and to the PuSh Youth Academy of PuSh Performance Festival 2018. She obtained her bachelor’s degree at Université du Québec en Outaouais in 2017, and she is now completing her MFA at Emily Carr University of Art & Design.
President + Vice-Chancellor, Emily Carr University of Art + Design
Dr. Ron Burnett has been President + Vice-Chancellor of Emily Carr University of Art + Design since 1996. In 2013, Dr. Burnett received the Order of Canada and in 2015, he received the Order of British Columbia. He was awarded the Chevalier de l’Ordre des Arts et des Lettres by the French government in 2010 and received the International Digital Media and Arts Association Outstanding Leadership Award. He received his BA, MA and PhD from McGill University in the areas of media arts, communications and cultural studies. Dr. Burnett began his career as a post-secondary professor and administrator at Vanier College in Montreal where he founded the Creative Arts Department. He went on to work at LaTrobe University in Melbourne, Australia and then became the Director of the Graduate Program in Communications at McGill University.
Teo Monsalve (Quito 1988) visual artist graduated from Emily Carr University of Art and Design in Vancouver, Canada. His practice has developed in different artistic languages like: painting, drawing, printmaking, installation and performance. Monsalve has explored motifs in his painting practice related to the natural world of the Andes and the Amazon region of Ecuador opening a conversation with a variety of topics like: historic landscape painting, the idea of the exotic and the sublime experience of nature through the use of sacred plants and shamanic ceremonies. Today the predominant concerns in his practice are around ideas of interculturality, place and metamorphosis. Weaving multiple narratives, drawn from his home country Ecuador and his personal experience in Canada, Teo Monsalve informs his practice with a variety of influences that allows him to pursue the multicultural voice he is creating for himself.